Song Lyric Sunday — “The Parting Glass”

Is the glass half-empty or half-full? Helen Vahdati’s musing on that suject resulted in this week’s Song Lyric Sunday theme:  Glass. The glass I’ve chosen to write about is neither, as the full glass is drained for a toast.

“The Parting Glass”  is a bittersweet farewell to close friends. Having its roots in Scotland, it’s considered to be traditional in both Ireland and Scotland.  The lyrics in some form existed in the early 1600s, attributed by Sir Walter Scott to a man who was hanged after penning his farewell, now called “Armstrong’s Goodnight.”   Today’s lyrics were first seen on a handbill in the 1770s. As with other traditional songs, the music was also used for other songs, and was first published in Glasgow in 1782 as a fiddle tune called “The Peacock.” The song was popularlized in the 20th century by Irish recordings by The Clancy Brothers and Tommy Makem and by The Dubliners.

My favorite version of “The Parting Glass” could be considered a poignant farewell from the singer. George Donaldson was one of the original members of, and the only Scot in, Celtic Thunder, a singing group formed in Dublin in 2007. At 39 and the only married member, George was “the old man” to the others who ranged in age from 14 to 30. Well-beloved by cast, crew, and fans, he passed away unexpectedly at 46 from a massive heart attack in March 2014.

Released on his second solo album, “The Parting Glass” video was filmed and released a mere five months before his passing. I’d say “enjoy,” but I truly can’t hear and watch him sing this without choking up.

 

The Parting Glass

Of all the money e’er I had
I’ve spent it in good company
And all the harm e’er I’ve done
Alas it was to none but me
And all I’ve done for want of wit
To memory now I can’t recall
So fill to me the parting glass
Good night and joy be with you all

Of all the comrades e’er I had
They are sorry for my going away
And all the sweethearts that e’er I had
They would wish me one more day to stay
But since it falls unto my lot
That I should rise and you should not
I’ll gently rise and I’ll softly call
Good night and joy be with you all

A man may drink and not be drunk
A man may fight and not be slain
A man may court a pretty girl
And perhaps be welcomed back again
But since it has so ordered been
By a time to rise and a time to fall
Come fill to me the parting glass
Goodnight and joy be with you all
Goodnight and joy be with you all

*edited to add links to The Clancy Brothers and The Dubliners versions

 

Let’s Go! Benjamin Orr and The Cars

You can well imagine that I’m chomping at the bit to read this book. After reading this review, I can barely contain myself. I’ve read some of Joe Milliken’s pieces on the rock world and particular musicians. You will not be disappointed if you BUY THIS BOOK. You can pre-order it through the publisher, Rowman & Littlefield.  https://rowman.com/ISBN/9781538118658

sweetpurplejune's avatarREAD ~ ROCK ~ REVIEW


LetsGo.jpgWritten by Joe Milliken, 2018

Format: Book, 216 pages, 30+ photos

Published by Rowman & Littlefield

Website: http://www.benorrbook.com

Notable Quote: “Believe me, Benny just had this incredible electricity about him. He would walk into a room and whether they knew him or not, people just felt there was something special about this guy…. I swear that in the mid-sixties, Benny was like the Elvis Presley of Cleveland.” — Wayne Weston, friend and former bandmate.


My quick 2 cents: Between the unique writing style, the candid memories of many important people, and the generous number of previously unpublished photos, Benjamin Orr’s inspiring story comes to life in these pages. Buy it!

The full scoop:  Any retrospective on the late 1970s and 1980s HAS to include some focus on the new wave rock legends, The Cars. A debut album that stayed on the charts for 139 consecutive weeks, winners of the first…

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We Will Never Forget

 

Remains Repository at the World Trade Center Site *

In a space between the two Twin Tower footprints at bedrock, visitors see a wall behind which the Office of Chief Medical Examiner of the City of New York operates and maintains a repository for the unidentified remains and a small work space.

A repository for the remains of 9/11 victims under the jurisdiction of the Office of Chief Medical Examiner of the City of New York (OCME) is located at bedrock at the World Trade Center site. The repository is an official New York City facility operated by the OCME, and is designed to meet the OCME’s professional specifications for access, security and environmental controls. The repository provides a dignified and reverential setting for the remains to repose – temporarily or in perpetuity – as identifications continue to be made. The OCME is committed to the ongoing work to identify the remains of 9/11 victims, but no DNA testing will be performed on site at the repository.

The repository is separate from the public space of the 9/11 Memorial Museum, and is only accessible by OCME staff. A private space exclusively for 9/11 family members, known as the Reflection Room, is located next to the repository. No portion of these spaces is accessible to the general public. There is no cost for 9/11 family members to visit the repository or the 9/11 Memorial Museum.

Additional information about the repository from the OCME can be found here.

 

*Content posted on the official website  https://www.911memorial.org/remains-repository-world-trade-center-site

 

feature photo credit: “9-11-11 view from NJ” by Kim Carpenter on wikimedia commons 

Song Lyric Sunday — “My Favorite Picture of You”

Weekly, Song Lyric Sunday provides two great pleasures: Nostalgia and discovery. This week’s theme, “picture/photograph“, satisfied both pleasures for me. My nostalgic favorite, Jim Croce’s “Photographs and Memories,” has already been posted by Scarlett79. In searching for a second choice, I discovered Guy Clark’s “My Favorite Picture Of You,” his sweet, poignant ode to his late wife. The picture he sings about was taken in 1972, the first of their 40-year marriage. Clark, with his writing partner Gordie Sampson, wrote this song in 2011. Released in 2013, a scant 13 months following Susanna Clark’s passing, it debuted at #12 on Billboard’s Top Country Albums chart.

 

 

My Favorite Picture Of You

My favorite picture of you
Is the one where you’re staring
Straight into the lens

It’s just a Polaroid shot
Someone took on the spot
No beginning, no end

It’s just a moment in time
You can’t have back
You never left but your bags were packed
Just in case

My favorite picture of you
Is bent and it’s faded
And it’s pinned to my wall

Oh and you were so angry
It’s hard to believe
We were lovers at all

There’s a fire in your eyes
You’ve got your heart on your sleeve
A curse on your lips but all I can see
Is beautiful

My favorite picture of you
Is the one where
Your wings are showing

Oh and your arms are crossed
Your fists are clenched
Not gone but going

Oh a stand up angel
Who won’t back down
Nobody’s fool, nobody’s clown
You were smarter than that

My favorite picture of you
Is the one where
It hasn’t rained yet

Oh and as I recall
That came a winter squall
And we got soaking wet

A thousand words
In the blink of an eye
The camera loves you and so do I
Click

My favorite picture of you
Is the one where you’re staring
Straight into the lens

 

photo by Senior McGuire