Song Lyric Sunday — American Music

Jim Adams has decreed this week’s Song Lyric Sunday theme is “American Music,” defined as “any song played by an American group.” While I could argue with that definition, I’ll let it pass. In any case, I don’t think anyone other than Americans sing my choice, “God Bless America,” written by quintessential American songwriter, Russian-born immigrant, Irving Berlin.

Born Israel Beilin in Russia on May 11, 1988, he became “Irving Berlin” when the sheet music for his first published song, “Marie from Sunny Italy,” credited “I. Berlin” as the lyricist for Mike Nicholson’s music. It was 1907, and they split a 75-cent royalty. Over the next several years, Berlin expanded his talents to include composing his own music for his lyrics, performing his music in vaudeville productions, and writing the music and lyrics for Broadway productions.

His creative spurt encompassed his growth as a businessman protecting his rights and royalties, as well as for others as a co-founder of The American Society of Composers, Authors and Publishers (ASCAP). He also established the Irving Berlin Music, Inc. publishing house to maintain control of all his output.

After the United States entered into World War I in December 1917, he became an American citizen two months later and was drafted into the Army, where he managed to finagle an assignment writing a musical revue about Army life. Originally, Berlin wrote “God Bless America” for the finale of that 1918 revue but decided another number was a better fit. He filed the song away for 20 years, until a 1938 visit to London. During that visit, British Prime Minister Chamberlain met with Hitler, signing appeasements in an attempt to avoid the likelihood of war as Hitler aggressively annexed portions of other European countries.

Deeply affected by those political tensions, Berlin revised “God Bless America” from a 1918 war song to a peace song. American singer Kate Smith debuted it on her Armistice Day (November 10) 1938 radio show. Here are Berlin’s hand-written revised lyrics:

Berlin also wrote the following introductory prayer/poem that Smith always included whenever she sang the song.

While the storm clouds gather far across the sea,
Let us swear allegiance to a land that’s free,
Let us all be grateful for a land so fair,
As we raise our voices in solemn prayer.

Both Berlin and Smith assigned the royalties for “God Bless America” to the Boy Scouts and Girl Scouts of American in perpetuity.

This is where you would think I’d post a video of Kate Smith, but I prefer to share Irving Berlin, himself, singing “God Bless America” on The Ed Sullivan Show in 1968. Enjoy!

 

 

Research sources include:  IrvingBerlin.com (biography pages and “God Bless America” page); Wikipedia (Irving Berlin and “God Bless America” pages); the Library of Congress; The Kennedy Center; and History.com.

Song Lyric Sunday — “If I Never Got To Tell You”

Our Song Lyric Sunday host, Jim Adams, gives us this week’s theme of Brutal, Cruel, Frenzy, Savage, Violent suggested by Melanie B Cee of sparksfromacombustiblemind. Truthfully, when Jim first announced this theme a few weeks ago, my thoughts ran to chain saw killers and other equally gory, violent ideas. Not my cup of tea at all. I haven’t posted in a while, and I figured there’s no way I was going to step back into blog world with this theme. Obviously, I’ve changed my mind.

Just living life can be brutal and cruel, with or without gore. Sudden, life-changing accidents, the death of a loved one that always seems “too soon” whether death was expected imminently or not, or a medical diagnosis can all fit into this week’s theme. I’ve been thinking a lot lately of aging and dwindling mortality, of missing people and pets who have passed on, and especially of my family’s history of alzheimer’s disease — a brutal, cruel disease if ever there was one.

That was my frame of mind yesterday when, listening to the Broadway channel on Sirius, I heard “If I Never Got To Tell You” written by Gloria Estefan and her daughter, Emily Estefan, for the 2015 musical about Gloria’s life, “Get On Your Feet.” The song is a duet between the character of her mother, Gloria Fajardo, and husband, Emilio Estefan, worrying that Gloria might not survive surgery following a tour bus crash that fractured her spine. At the time of the accident, mother and daughter had been estranged for two years. The heart-wrenching lyrics make clear that both mother and husband are filled with regret and despair that they may never get the chance to tell Gloria how much she means to them.

Here’s audio of the scene from the original Broadway cast album, followed by poignant audio of Gloria’s and Emily’s duet.

 

If I Never Got to Tell You

GLORIA FAJARDO: (spoken)
Shh. It’s me. It’s Mami. I’m here.

(sung)
If I never got to tell you
There’s no way I could be prouder
Of the life that you’ve created
All the ways that you have grown

If I never got to tell you

EMILIO:
You are my life

GLORIA FAJARDO:
I would say it ever louder

EMILIO:
From the first day you were

GLORIA FAJARDO & EMILIO:
In my life you’ve been a blessing

GLORIA FAJARDO:
And I need you to know

EMILIO:
Life can change so quickly

GLORIA FAJARDO:
Don’t think that you have
All the time in the world to tell someone
The reasons that you love them

GLORIA FAJARDO & EMILIO:
With one twist of fate
All the words in your heart

GLORIA FAJARDO:
They never hear
What’s the sense in waiting?

GLORIA FAJARDO & EMILIO:
Until it’s too late to say it
Much like a game, we play it
When we choose to keep it all inside
Until it’s too late, forever
We run out of all whenevers
And this just might be our last goodbye

EMILIO:
If I never got to tell you

GLORIA FAJARDO:
If I never got to tell you

GLORIA FAJARDO & EMILIO:
All the ways you made me happy

GLORIA FAJARDO:
That the dreams you’ve been fulfilling
Are fulfilling my dreams too

EMILIO:
If I never got to tell you

GLORIA FAJARDO:
I love you so

EMILIO:
You were planned down to the moment

GLORIA FAJARDO:
If I ever hurt you

GLORIA FAJARDO & EMILIO:
You have always been the reason
For the choices I have made

EMILIO:
I thought I would have all the time in the world
To make things right
But I almost lost tomorrow
With one twist of fate
I was facing the world
Without you

GLORIA FAJARDO: (spoken)
Did you see all the red roses people sent her?

EMILIO: (spoken)
Yeah.

GLORIA FAJARDO & EMILIO: (spoken)
She hates red roses.

GLORIA FAJARDO: (spoken)
You were taking her away from me.
And I couldn’t bear the thought of losing her.

EMILIO: (spoken)
I know the feeling.

GLORIA FAJARDO:
If I never got to tell you
I regret the way things happened
In my life, each time I trusted
Was just one more time I lost
If I never got to tell you

EMILIO:
I understand

GLORIA FAJARDO:
You’re the son I always wanted

EMILIO:
I will always be here

GLORIA FAJARDO:
And though I didn’t make it easy

EMILIO:
No, you didn’t make it easy

GLORIA FAJARDO:
I have paid the higher cost

I thought I would have all the time in the world
To make things right
But I almost lost tomorrow
With one twist of fate
I was facing the world
Without you
So I’m no longer waiting

EMILIO:
I’m no longer waiting

GLORIA FAJARDO & EMILIO:
Until it’s too late to say it
Much like a game, we play it
When we choose to keep it all inside
Until it’s too late, forever
We run out of all whenevers
And this just might be our last goodbye

Before it’s too late

REPORTER: (spoken)
At this hour, pop superstar Gloria Estefan is about
To enter an extremely complex spinal fusion surgery,
Which reportedly could last as long as nine hours.
A press conference is scheduled for this evening,
At which time we should find out whether
Or not the procedure was indeed successful.

 

 

“X” is for “Xanny”

Trying to come up with an idea for this “X” blog, I kept coming back to one question: Why did pirates use “X” to mark the spot? Why not a circle? Think about it. In the olden days before internet and ubiquitous GPS, people used maps to orient themselves and to plot a course. In my experience, most people would draw a circle around their destination. Why didn’t pirates?

Welp, I hopped down the old Wikipedia rabbit hole and learned that “X” is used to indicate a variant or unknown value in mathematics, which led to its use representing the unknown in other contexts; for example, X-rays, Gen X, “The X Files,” or as a designation for an unspecified non-binary gender. “X” is used to represent negation (“this is wrong”) or absence ( in place of an illiterate or unsighted person’s signature).  Conversely, and illogically, “X” used to “mark the spot” on a map signifies a known location.

I learned a lot about “X” but found nothing to explain why pirates used “X” to mark the location of their treasure stash. I did, however, find a surprising connection between pirates and “X.” That link is American singer-songwriter Billie Eilish, who has, in a BBC interview, confirmed  her full legal name is Billie Eilish Pirate Baird O’Connell. “Baird” and “O’Connell” are her mother’s and father’s last names, respectively. “Pirate” was conferred by her older brother, then-four-year-old Finneas.

The home-schooled siblings are singer-songwriters working independently and together. They co-wrote Billie’s song, “Xanny,” the third track on her 2019 debut album (produced by Finneas). “Xanny” is a reference to Xanax, brand name of the generic tranquilizer alprazolam. Eilish, who eschews drug use, has said “Xanny” is a cautionary plea to drug-using friends to “be safe.”

 

 

 

“W” is for “Wildfire”

Wildfire,” a song written by Michael Martin Murphey and Larry Cansler, was all over the radio when Murphey released it in 1975 on his fourth album. His most successful single, it peaked on Billboard’s Hot 100 chart at number 3 and at number 1 on other charts — Billboard’s Easy Listening, Canada Top Singles, and Canada Adult Contemporary Tracks. The Western Writers of America included it at number 15 of the Top 100 Western Songs of all time.

Murphey has attributed the song’s origins to Native American legends re-told by his grandfather “about a horse that could never be captured, and that horse represented freedom and escape.” Enlarging on those themes, Murphey’s take “is very much about escaping hard times.” The lyrics came to Murphey in a dream about a girl and her white horse who both disappeared when a “killing frost” became a blizzard. The song’s narrator, a disillusioned homesteader whose crop may have been ruined by “an early snow,” listens to a hoot owl’s howling nearby for six nights and surmises the girl and ghost horse are coming for him.

While the lyrics are memorable, intro and outro piano music bookend the haunting story. Most people have not heard that mystical framework, unless they listened to the album version; the piano sections were trimmed for radio play.

Enjoy this video of the untrimmed song!

 

 

 

 

 

 

“U” is for “Universal Soldier”

Awaiting a flight from San Francisco to Toronto one night in 1963, Canadian singer-songwriter Buffy Sainte-Marie saw a group of Viet Nam veterans who were wheeling and carrying their wounded brethren. She thought of them during her flight, her mind tracking back through Army hierocracy and the political landscape, wondering who originated the order that sent them to war. She wrote her ruminations and conclusions in “Universal Soldier” upon her arrival in Toronto that same night. An anti-war protest song, “Universal Soldier” is also, as she explained years later, “about individual responsibility for war and how the old feudal thinking kills us all.”  She released the song on her 1964 debut album, “It’s My Way.”  Never a “hit” for Sainte-Marie, it was more successful for Scottish singer-songwriter Donovan Leitch and for American singer Glen Campbell, both of whom covered it in 1965. Coincidentally, both versions peaked on Billboard’s Hot 100 chart on October 30, 1965; Donvan’s at #53 and Campbell’s at #45.

Videos for all three singers are reproduced below. In my opinion, Campbell’s peppy, upbeat, “Campbell-ized” version misses the mark. According to Wikipedia, when “[a]sked about the pacifist message of the song, he said that ‘people who are advocating burning draft cards should be hung.’[28]

First, here are the lyrics:

Universal Soldier
© Buffy Sainte-Marie

He’s five feet two and he’s six feet four
He fights with missiles and with spears
He’s all of 31 and he’s only 17
He’s been a soldier for a thousand years

He’s a Catholic, a Hindu, an atheist, a Jain,
a Buddhist and a Baptist and a Jew
and he knows he shouldn’t kill
and he knows he always will
kill you for me my friend and me for you

And he’s fighting for Canada,
he’s fighting for France,
he’s fighting for the USA,
and he’s fighting for the Russians
and he’s fighting for Japan,
and he thinks we’ll put an end to war this way

And he’s fighting for Democracy
and fighting for the Reds
He says it’s for the peace of all
He’s the one who must decide
who’s to live and who’s to die
and he never sees the writing on the walls

But without him how would Hitler have
condemned him at Dachau
Without him Caesar would have stood alone
He’s the one who gives his body
as a weapon to a war
and without him all this killing can’t go on

He’s the universal soldier and he
really is to blame
His orders come from far away no more
They come from him, and you, and me
and brothers can’t you see
this is not the way we put an end to war.